Wednesday, 11 September 2013

E. Ayers and the Rejection Letter

   Hi, Anna, thanks for inviting me to be on your blog. Waving a big hello to all of Anna's friends. I love meeting new people so don't forget to leave a comment, because someone is going to win a free book if they do!
   Anna and I were talking about the road to publication and I think I got lucky, very lucky. I started this journey writing books for my children. Then I got serious and decided that I'd like to write for actual publication, even though it was a tough field that wasn't open to many authors. Seems the publishing industry thought if you were in a certain grade then you should be reading …and that didn't work for me, my children, or my grandchildren, but things have changed over the years and so did my writing.
   My dearest friend has a daughter, Marjorie, who is multi-published in romance. That daughter told me to write romances. I laughed at her. Then she told me a few things and I quit laughing. I sat at the computer and wrote my first romance over fifteen years ago. Except, it wasn't exactly a romance because it had very strong mainstream elements. I sent it to Marjorie who by this time was part owner of an epub. She wrote me back and told me it wasn't sexy enough. Well, needless to say, this kind of passing the manuscript back and forth went on for months. I found out about things like point of view. Oh my gosh! I had a crash course in writing, or at least, I thought I did, except I had barely scratched the surface.
   Then my friend's daughter suggested that I submit to the editor of her publishing company. I was concerned that my name might be too well known because of the closeness to Marjorie, so I submitted under a different name and held my breath. And held it, and held it. Then it came…THE REJECTION LETTER!
    By that time, I had joined a local RWA group, and had started taking several writing classes online. I knew about those horrible rejection letters. The ones that make people cry for weeks and tell them how English must not be their first language or worse, it's a form letter that says almost nothing other than no thanks. I had a real letter and it was nice!
   I picked up the phone, called across the USA to Marjorie, and asked if she told the editor who I was. Marjorie said no. She didn't even know I had received a letter. I read it to her. I had a three-page letter from the editor, Stephanie, telling me how wonderful my story was and with it, several suggestions to make it better.
   Now here comes the fun part. That small pub was going to be at a conference that was being held near me and I was slated to go to it, which meant meeting that editor. I was so excited. Marjorie even gave me the hotel room number. I wasn't going to stalk Stephanie to her room. But I did set up an appointment to meet with her.
   I promise the last thing an editor wants to do is meet with someone they just rejected. But when Stephanie realized I was not some crazed woman, and I only wanted to chat about her suggestions, she definitely chatted! She spent two hours with me explaining things. All these years later, I know that rejection was the best thing that could have happened to me. I don’t write erotic and I never will - it's not in me. That publisher is best known for its erotic romances. That's not where my stories belong. I write adult as opposed to children's stories, and I expect that my readers are mature enough to know that there's more than simple kissing in a loving relationship.
   Stephanie went one step further and personally introduced me to several well-known authors including Janet Lane Walters who co-wrote a book on writing. I got Janet's book and we stayed in touch. That's when I learned that it wasn't just a matter of telling a good story - I had to learn to craft it. Every time I learned something new, I went back and fixed that very first story.
When I was certain that it was the best possible story that I could write, I submitted it to a well-known agent whom I'd pitched at another conference. I held my breath…and held it…and held it. She sent me a brief letter about nine months later saying she had read the story, and it was under consideration. Okay, I was excited, but what exactly did under consideration mean? So I held my breath for another six months. In the meantime, every author I knew who had submitted to her had been rejected before that nine months had lapsed.
   Marjorie had told me to keep writing. Write the next book, so I did, and I wrote another. By that time, I had a New York Times best-selling author who was mentoring me. She kept saying that no news is good news, and that my work was worthy of being represented. Then it came. I ripped that envelope open and held that letter in my hands. My insides were quivering. I was afraid to look.
   Three times I read it. "I loved this story… I must be very selective…" She turned me down! Okay, I cried that time. I called my mentor and with tears blurring my vision, I read her the letter. How can someone praise my story and then turn it down?
   The answer was not that difficult to understand. At the time, there were big publishing houses and a few epubs. You had to fit into the big houses' little pigeonholes or they wouldn't accept it. I didn't fit. I also didn't fit with the epubs that tended to publish hotter stories. I kept writing. Then I got my lucky break and a contract. Except, I watched my story being changed in edits to match a more traditional romance. I didn't like what was happening to my story or my characters. It was not what I wanted. Instead of being happy, I had this horrible, suffocating, wet wool blanket of depression being heaped on me with each batch of edits.
   Break a contract? That was insane! But I did it. It was my name on the cover, and I wanted to be proud of what I had written. I had to stand up for myself and my characters.
   Then I sat on my derrière, watched, and waited for something wonderful to happen. It didn't happen to me, but I saw another author independently publish a book and then a bunch of books. They sold like crazy. She talked me through the steps. I published a novella and waited. I was told if I sold twenty-five books that first month, I would be very lucky. I sold one hundred. I published another novella, then I published that very first novel, Wanting.
   It was a long road to get where I am now and I learned a lot along the way. Wanting was the first in my River City novels about young urbanites who are trying to make their world a little better. Think mid-sized city tucked in the middle Atlantic states of the USA. It's totally fictional but very similar to several such cities. I followed the novel Wanting with A New Beginning, then A Challenge, Forever, A Son, and A Child's Heart. And there are more coming! They don't need to be read in order. The glue that holds them together is the city.
   They all have those heavy mainstream elements, but they also have the happily ever after of a romance. Just as people in real life have plenty of problems, so do my River City characters. A Son deals with prejudice. Some folks believe it doesn't exist, but it still does. Lucky are those who never feel it. Most of my novels tackle some gritty subjects from sexual abuse to trying to mesh different lives on different schedules into a cohesive relationship. People have complicated lives, they have jobs, they have skeletons in their closets, and falling in love is never easy. Well, maybe the falling is but fitting it into a life isn't. And people aren't perfect. I do not write normal romances. It's called slice-of-life writing and I write the romantic slice. That means all the other stuff in life comes with it.
   I love writing the River City novels. My latest one, A Child's Heart, wasn't always easy to write. There was so much going on and so many conflicting emotions. When I'm writing, these characters are alive within me, and what happens to them affects me as the author. I become the means for them to tell their story. They drive me. And these two drove me crazy!


    Trent was a young widower. With his mom's guidance, he grew into a wonderful father. And Cassie…Well, Cassie is Cassie, and she's older than Trent. She has this tremendous passion for history and she loves her job as River City's museum curator. On the outside, she looks sweet and conservative, but inside, she's got a wild streak. And she's being harassed by the city manager. She also understands the relationship between Trent and his mom. She's a PhD from a wealthy Boston family, and he's blue collar from the low end of middle class in River City. Just be prepared for a roller coaster ride as Trent and Cassie figure out that they have a relationship worthy of a lifetime commitment, while Shawn's life dangles precariously as he awaits heart surgery.

Excerpt? You want an excerpt? Okay. How about that first kiss? I love first kisses. Who doesn't?

Cassie pulled in front of a small home that looked exactly like every other house in the working class neighborhood. Tiny, cookie-cutter houses sat on postage-sized lots. The Callahan home was painted a pale yellow with dark gray shutters and trim. The grass was recently cut, and a few petunias were planted around the base of the lamppost. She parked her car and drew in a deep breath as she gathered up the two books.
“Hi,” she said when Trent opened the door. “I brought something for Shawn.”
“Come on in. He’s not here right now. My mom took him shopping for some slippers and a robe. He’s going to need them for the hospital. They say he’ll be there for a while.”
“Oh, I’m sorry. I should have called first. Tate gave me your address, and I thought I’d stop on the way home, since you weren't very far out of the way.”
“You live in the area?”
“Not really. I have an apartment in Sweet Grandview.”
“This is not exactly on your way home from the museum.”
“It’s not, but it’s not that far, either.” She forced another smile.
He glanced at his watch. “They should be home soon. Would you like a glass of iced tea?”
“Thanks. I’d appreciate that.” She gazed at Trent standing there in his work uniform, his name written in an oval under the embroidered company name. “What exactly does River City Manufacturing manufacture?”
“Countertops. We measure, custom cut, and install counters for both commercial and home use.”
“Oh. What do you do?”
“Everything. Mostly, I handle the computer and oversee the shop. It’s a rather involved process. The measurements are dropped into the computer, which then runs the saws that cut the counters.”
She followed him through the tiny house to the modern kitchen. “Cute kitchen.”
“Thanks. My mom loves it. I tore out what existed a few years ago. I made the cabinets from scratch and the countertops are leftovers from a large job the company did awhile back.”
“Granite?”
He nodded, opened a cabinet, and withdrew two glasses. “I've got a small woodshop in the backyard.”
“I’m impressed. You do beautiful work.”
“Thanks.” He handed her a glass of iced tea.
She put the two books on the counter and accepted the glass. Her fingers touched his, sending a spark though her body. Gazing into his eyes, she smiled. A golden blonde lock fell across his forehead, and she noticed slight dimples when he returned the smile.
Broad shoulders filled his shirt, and golden hair covered his forearms. Desire filled her as she stared at the man with gray-blue eyes.
He returned the stare and she found herself lured to him. Golden-brown eyelashes framed his penetrating gaze. Taking a sip of the sweet liquid only enhanced the burning inside her. His fingers wrapped around the glass and removed it from her clutch as his mouth covered hers.
Sweet, probing kisses caused her to close her eyes, as she was drawn to him by the magnificent sensation that streamed through her body. Her hands found his shoulders, as his arms locked her into his embrace. Her hips swayed against the soft bulge in his pants. His hand on the small of her back pulled her tight to him. The room vanished. All that was left, were two bodies pressed together.
His tongue danced with hers as her pelvis rode his hardening length. Her breasts burned. She clawed at the fabric covering his shoulders. It was primal and she lost herself in the ancient ritual. Heat flowed through her until it peaked, causing a groan to escape her throat. Her lips unlocked from his, and she buried her face into his chest. The course material was permeated with the pungent smell of perspiration and oil. Inhaling deeply, it was nauseating, exciting, and very masculine. Reality hit, sending a jolt through her system. She let go of him and turned away. “I’m so sorry. I can’t believe I just did that.”
His hands grabbed her shoulders and pulled her back to him. “I’m not sure exactly what happened, but it was terrific." His breath flowed over her face as he spoke. "I should be apologizing to you. I've never spontaneously kissed someone before.” His voice was deep and raspy. “I've heard it said that you can tell a lot from a first kiss, and that was one hell of a first kiss.”
“I’m so embarrassed.”
“Why? It was awesome.” He pulled her tight to his body.
Her gaze locked with his as his lips once again touched hers. Her knees weakened and her body trembled. Wanting to flee, she found herself riveted in place. His tongue found hers. Heat coursed through her as the room began to swim. A gray cloud enveloped her until there was nothing.
“Hi, welcome back. Feeling any better?” Trent asked.
Cassie looked up at the man kneeling beside her. “What happened?”
“You fainted. I was about to call 9-1-1. You've been out for a few minutes.” She started to sit up, but he gently pushed her back down. “You’re not going anywhere. Take a couple of deep breaths.”
“I’m fine.”
He ran a finger across her cheek as he stared into her crystal blue pools. “You remind me of a china doll, perfectly beautiful.”
“Please, let me get up.”
“Slowly.” He offered her his hand.
Making her sit at the kitchen table, he brought her the glass of iced tea and then pulled out a chair across from her. As he sat, a grin split his face and erupted into a chuckle. “I've kissed many a woman in my life, but I've never had that effect on one.”
“I’m sorry, I have no idea what came over me.”
“There you go apologizing again for something that requires none.”
“I've never been that lost in a kiss, and I've never fainted before in my life. No, that’s not right, I fainted one time after I gave blood when I was still in college.”
“Gave blood on an empty stomach?”
“Probably.”
“Bet you've got a empty stomach now.”
She shook her head, as if trying to clear it. “Maybe. I ate a banana at some point today.”
“That’s it?”
“Ah, I think so. I skipped breakfast and drank a pot of coffee at work.”
“You’re not leaving here until you've eaten something nutritious and filling.” He opened the refrigerator, put a generous helping of pot roast in a bowl, and stuck it in the microwave. When the microwave beeped, he handed her the bowl and a fork. “I’ll be right back.”
Her taste buds savored the delicious beef and potatoes. She devoured it with lightning speed. It had been years since she had a home-cooked meal. Memories of her family flooded her mind: the beautiful, old, stone house on the outskirts of Boston, her mom and dad, Emily Zoot making dinner for the family, and several noisy brothers teasing her. Now she was sitting in Trent’s tiny kitchen, scraping the bowl with her fork to get every precious drop of gravy.
“Looks like you’re ready for a piece of apple pie.”
“It was delicious, but I’m not sure I have room for pie.” She gazed at Trent, now freshly showered and wearing a tee shirt and jeans. Her heart sighed.
“Make room.”
Her heart had plenty of room for him, but she wasn't sure her stomach could handle more.

***
My heart goes out to any parent with a child who is fighting for a chance at life. And if you know someone with that child, do whatever you can to help that family. Even something as simple as mowing their yard gives them an extra hour to spend with the child. A new book, toy, or a puzzle will brighten a child's day. They don't need to know who did it, but you'll know you did something special for someone.

What's coming next? I have three historical westerns all set to release between October and December. Writing historical westerns is a new genre for me. The last one to be released will be the diary of Clare Coleman, which was mentioned in A Snowy Christmas in Wyoming. And with a little luck, I should have the next River City novel out before Spring 2014. Yes, I've been very busy. But I love writing. It is my job.

Don't forget to leave a comment, then drop me an email at e.ayers@ayersbooks.com and say you've commented. I'll be giving away a few copies of A Child's Heart to some lucky people.


Bio:
About the Author
Born and raised with wealth, E. Ayers turned her back on all of it and married her prince charming a few days after her eighteenth birthday. Her family disowned her, and her friends were shocked. A firm believer in love conquering everything, she never looked back. The love she and her husband shared became the springboard for her novels. Fascinated with the way people deal with everyday problems, E Ayers has always been an observer and a listener. A simple problem for one person is a mountain for another. She utilizes those common predicaments which is why her books touch so many lives. Today, she spends most of her free time writing while living in a pre-Civil War home with her two dogs and a cat. Rattling around in an old money pit gives her muse plenty of freedom. Her idea of a perfect day is to spend it at the keyboard of her computer, coffee in hand, and everything in the house actually working as it should. She's the official matchmaker for all the characters who wander through her brain, and she likes finding just the right ones to create a story.

Wednesday, 4 September 2013

Dawn Marie Hamilton: Just Once in a Verra Blue Moon

Please welcome Dawn Marie Hamilton as my guest today. She's giving away a free copy of her book. Details at the end of the post.
Thanks, Anna. Good to be here.
Burly men in kilts with big swords make me swoon. So, of course, I write about them. But how does an author that grew up in New Jersey know enough about Scottish Highland weapons to write a fight scene or two or three?

Fight scenes that use claymores. Claymores are large two-handed swords that classically weigh about five to six pounds with downward sloping guards (crosspiece). The blade is usually as long as a broadsword and the hilt long enough for a two handed grip.

First, she watches movies with sword fight scenes over and over. Not a bad way to spend time. If she’s lucky, she finds good research material. One such book is The Cutting Edge, A Practical Guide to the Use of Scottish Highland Weapons by Larry L. Andrews.

If she’s lucky, she has a critique partner who’s interested in martial arts and swung a sword or two himself. And if she’s even luckier, she gets in contact with the author of said research material above and grills him. Thanks, Larry!

Mr. Andrews’s book describes the use of the broadsword and targe, the claymore, the Lochaber axe and the dirk. Makes a girl who’s always liked pointy objects heart go all a flutter.

What about women with swords? There is a saying around our house: Watch out for the Scottish woman holding a knife. What? I like to cook.

Blurb for Just Once in a Verra Blue Moon:
What happens when a twenty-first century business executive is expected to fulfill a prophecy given at the birth of a sixteenth-century seer? Of course, he must raise his sword in her defense.

Believing women only want him for his wealth, Finn MacIntyre doesn't trust any woman to love him. When, during Scottish Highland games, faerie magic sends him back in time to avenge the brutal abduction of his time-traveling cousin, he learns he's the subject of a fae prophecy.

Elspeth MacLachlan, the beloved clan seer, is betrothed to a man she dislikes and dreams of the man prophesized at her birth, only to find him in the most unexpected place—face down in the mud.

With the help of fae allies, they must overcome the treachery set to destroy them to claim a love that transcends time.

Excerpt:

Finn gripped the rowan staff in one hand and leaned against the castle’s outer wall, trying to catch his breath. The short trip from the garden left him weak. If his stamina didn’t return soon, he’d go crazy. He needed to be healthy and strong so he could go after Maclay. Then he must travel home before he did something rash concerning Elspeth.

He stopped again at the castle gate and gulped air to remain standing.

Motion on the bay caught his attention. Men rowed toward the castle in several small boats of the type made from skins and wicker, the kind Highlanders called currachs. When the crafts beached, he recognized Donald MacLachlan as the man jumped from one, strode across the pebbly beach and headed toward him.

Suddenly a weight slammed against Finn, knocking the hard-won air from his lungs. His walking stick flew from his hand as he fell to the ground. Pain shot from his thigh, to his groin, to his chest. Gasping for breath, he found Elspeth’s soft body entangled with his.

Her lush curves wrapped around him, filling his senses with all that was missing from his dreams. The scents of sunshine and roses intoxicated him. His hard-on was instantaneous.

Shit! He attempted to detangle their limbs and set her away from his ill-timed erection, but her body melded with his. She felt so right in his arms. He was tempted to hold onto her and never let her go.

Elspeth caught her breath. Everywhere Finn touched her as they tried to break apart, her skin tingled. When their gazes met, everything else faded away. The world reduced to only the two of them, and his mouth dipped toward hers.

His lips grazed hers and fire blazed through Elspeth to her toes, the moment lasting an eternity. Finn’s tongue pushed between her lips, seeking entrance. Her mind reeled. With little thought, she wrapped her arms around his waist and twirled her tongue around his. Passion. Unlike the minimal pecks she’d received from Alexander, Finn’s fierce kiss conquered, possessed.

She wanted more.

The sound of a throat clearing broke the spell, and Finn’s sinful mouth pulled away, leaving behind a fracture in the foundation of Elspeth’s expectations for the future.

How could she go on as before?

“Let me help you.”

She gazed up through the haze of awakened sensation. Uncle Donald stared at her, a sly gleam in his eyes. He reached a hand down and helped her rise before assisting Finn. Unstable on his feet, Finn leaned on her while her uncle retrieved the walking stick.

She swayed—not from the burden of Finn’s weight, but the desire awakened by their kiss.
Just Once in a Verra Blue Moon is available for:

Kindle: http://bit.ly/K-BlueMoon
Nook: http://bit.ly/BN-BlueMoon
Bio:
Dawn Marie Hamilton dares you to dream. She is a 2013 RWA® Golden Heart® Finalist who pens Scottish-inspired fantasy and paranormal romance. Some of her tales are rife with mischief-making faeries, brownies, and other fae creatures. More tormented souls—shape shifters, vampires, and maybe a zombie or two—stalk across the pages of other stories. She is a member of The Golden Network, Fantasy, Futuristic & Paranormal, Celtic Hearts, and From the Heart chapters of RWA. When not writing, she’s cooking, gardening, or paddling the local creeks with her husband.
Blog: http://dawnmariehamilton.blogspot.com/
Website: http://www.dawnmariehamilton.com/
Facebook: https://www.facebook.com/authorDawnMarieHamilton
Twitter: https://twitter.com/DawnM_Hamilton
Goodreads: https://www.goodreads.com/DawnMarieHamilton
Amazon author page: https://www.amazon.com/author/dawnmariehamilton

Giveaway: Dawn Marie will gift a Kindle edition of Just Once in a Verra Blue Moon to a lucky commenter who answers the question: If you could use a bit of faerie magic to travel through time where would you go? Be sure to include your email addy. Feeling shy? Email Dawn Marie at Dawn at DawnMarieHamilton dot com. A name will be pulled out of the garden hat on Monday, September 9.



Wednesday, 28 August 2013

Once in a Blue Moon by Diane Burton


Dreamstime Image
Did you happen to see the full moon last Tuesday night? Not just big, huge. That was a Blue Moon.
What, you may ask, is a Blue Moon—besides an interesting beer? The most common definition (the one I was most familiar with) is the occurrence of a second full moon in a calendar month. Last week’s Blue Moon was different. It’s the third of four full moons in a season.
How many times have we said or heard the expression “once in a blue moon”? Is a Blue Moon really that rare? By either definitions (above), a Blue Moon occurs every two or three years. That’s a lot less rare than I would have thought. And, no, that moon is not really blue. However, on rare occasions dust particles caused by volcanic eruptions or huge fires can make the moon look bluish in color even if it’s not a full moon. Considering the fires in the western part of the U.S., we may very well see a moon that looks blue.
So the next time you say your kids will clean their rooms once in a blue moon, it may be sooner than you think.
As for me, I think I’d rather have the beer.
Moons, planets, and starship travel are fodder for science fiction romance writer Diane Burton’s imagination. She takes her readers on adventures that are out of this world. Her latest release, Switched Resolution, concludes the Switched series about twins switching places—from Earth to a starship and the reverse.


Excerpt:
With duffle bags slung over shoulders, banging against hips and each other, Scott Cherella and Veronese Qilana raced through the Malawea Spaceport terminal. His ship was gone. Stolen. Not just by the rebels incarcerated on board but by three of his own crew.

“I still can’t believe Drakus and Usolde took the Freedom.” Neese panted from running.

Scott was surprised at how many people either milled around or strolled down the terminal’s main corridor in the middle of the night. He and Neese attracted attention. Maybe Serenians didn’t run through public buildings. Too damn bad. This was an emergency.

“Those two have a lot to answer for,” he said.

Once they got to the hangar—or whatever Serenians called the area where various flight vehicles landed and took off—he let her lead the way. He’d only been through there once, yesterday, after arriving aboard a shuttle from Space Station Alpha where the Freedom had docked. Where it should still be docked.

“This way.” Neese darted down a narrow passageway. “I want to know about the other man. Both Drakus and Usolde mentioned a he who tricked them. Any ideas?”

“You know the crew better than I do. Well, longer anyway.” He had only been aboard the Freedom for three weeks, ever since he switched places with his twin. And, holy shit, what a time it had been. Sabotage, capture, rescue, ecstasy, betrayal.

Yeah, he wanted to know the other guy’s identity, too. A member of the Freedom’s crew had not only masterminded the recent sabotage but also the release of war criminals and the theft of Scott’s ship. How the hell had they gotten it out of spacedock? There had to be controls. Clearance requirements. On top of that, he wondered why the Freedom. The rebels needed a ship to escape. Surely, other ships were easier to take out from under Space Fleet Security than an Alliance battle cruiser. Or maybe that had been the point. A way of thumbing their noses at The Powers That Be.

“Wait.” He snagged the strap of Neese’s bag. They’d gotten to the end of a long hall. She turned to him, questions in her Lake Michigan blue eyes. God, he loved seeing them without the silver lenses she had worn to pass as Serenian. He couldn’t wait for her short hair to grow out. Like wearing camouflage lenses, she’d dyed her hair black to look like a Serenian. He bet if left to nature, her hair would be a deep auburn like Jessie’s. With waves, too, once it was long enough. Or maybe it would curl cutely around her face.

Nah. Neese was many things—striking, intelligent, strong-willed—but never cute.

Edging her into the corner, he dropped his duffle and pulled her into his arms. “I gotta do this before we meet up with the others.”

She opened her mouth in surprise as his came down. He hoped the kiss he planted on her made her remember what they’d been doing two hours earlier. Finally alone and no longer worried about non-fraternization rules, they’d made love in a proper bed. It had been perfect. Perfect until she beat him to the punch and proposed. If the damn computer hadn’t interrupted with urgent messages, he would have made sure she understood there were some things a guy just had to do on his own.

Independent little cuss.

She broke off the kiss, her eyes huge. “We—We shouldn’t do this. Someone might—”

“Relax, Neese. Nobody’s around.”

“There could be.” When she scooted past him, her bag swung out and caught him in the side. Uttering a quick apology, she opened the door to a spacious hangar. “Chief Luqett and Mr. Glaxpher said they’d be waiting for us in Area 72.” She pointed overhead.

Up in the rafters, large white lettering designated areas. Naturally, he couldn’t read them. He didn’t think his link, which she’d programmed to translate Serenian symbols, would be able to “read” that far away.

“Where are we now?” he asked softly as he followed her.

“Area 51.”

That stopped him. “You have got to be joking.”

She turned to him and shook her head. “I do not understand.”

“Area 51. Aliens. Roswell, New Mexico.”

“Oh, that fiasco when the Cardijian ship crashed. We need to hurry.”

“You mean that was real?” He started grinning. “Hot damn.”

Switched Resolution is available at:
Amazon : http://amzn.com/B00CNJEO1C
Smashwords: https://www.smashwords.com/books/view/313093
Bio:

Diane Burton combines her love of mystery, adventure, science fiction and romance into writing romantic fiction. She is the author of science fiction romance the Switched and The Outer Rim series. With One Red Shoe, soon to be published by The Wild Rose Press, she takes her writing in a new direction into romantic suspense. She is also a contributor to the anthology How I Met My Husband. Diane and her husband live in Michigan. They have two children and two grandchildren.

Connect with Diane around the Internet
Website: www.dianeburton.com
Blog: http://dianeburton.blogspot.com/
Twitter: http://twitter.com/dmburton72
Facebook: http://facebook.com/dianeburtonauthor
Goodreads: Diane Burton Author
Pinterest: http://pinterest.com/dmburton72/
Amazon author page: http://amzn.com/e/B00683MH5E



Saturday, 24 August 2013

Latest Release Cover Reveal

Thanks again to the wonderfully talented Steven Novak for my latest cover.
Hearts and Crowns is the story of Gallien, grandson of the original hero of The Montbryce Legacy series.
Gallien has sworn never to wed again after a catastrophic marriage to a shrew who betrayed him with another man.
You know the old saying, Once bitten...twice shy.

Peridotte de Pontrouge has long dreamed of marrying Geoffrey Plantagenet, but her hopes are dashed when he is betrothed to the daughter of King Henry of England.
Political intrigue forces Gallien and Peri to marry against their will.
Here's a snippet from the betrothal ceremony, the first time Gallien and Peri meet.

Peri paused before the small wooden door to the Chart Room of Ellesmere Castle. “A moment,” she whispered to the Comte d’Anjou’s emissary.
Ballustre bowed, stroking his pointed beard. A tight smile flickered for only a moment, betraying his nervousness.
She smoothed her hands over her skirts and carefully adjusted the veil that threatened to slide from her braided hair. Alys had worked her usual magic with the wrinkled gown, barking orders at the maidservant sent by the Countess as if she were the lady of the castle. They had chosen the gown of forest green wool because it suited her skin and hair color—and her mood. This was not the festive occasion she had dreamed her betrothal ceremony would be.
She had not slept. None of the Montbryce men had returned by the time she had retired to her chamber the previous evening.
She raised her chin, then turned to her escort. Despite the dread churning in her belly, she said, “I am ready.”
He laid his palm against the door. It swung open without a sound and he ushered her inside. Her knees threatened to buckle as she stepped over the threshold into a new life she did not want. She was to be bound to a man who had not welcomed her and who had failed to appear this morning in the Great Hall.
She had broken her fast in uncomfortable silence with Fleurie and Isabelle, nibbling on a crust of freshly baked bread, feeling like a prisoner condemned to the gallows.
Determined to appear unruffled, she thrust out her chin. Her gaze fell on two heads of silver hair, both bent to the close study of some document upon the table. She faltered. By the wood of the true cross! Had King Henry betrothed her to an old man?
At her gasp, both men looked up. They shared a resemblance, except one was a good deal older than the other. The older man smiled, his eyes full of warmth and welcome.
The younger, taller knight straightened. Back rigid, lips in a tight line, he narrowed his eyes. Her belly lurched. Gooseflesh marched across her nape. She had never seen a young man with hair the color of moonbeams. It was strangely compelling. The unrelieved black of his doublet, hose and boots made his appearance all the more startlingUnder his dark gaze, she felt like a rabbit caught in a snare.

He was much taller than she, a broad-shouldered warrior whose bearing and attire left no doubt about his wealth and power. It was immediately evident he did not welcome this betrothal. He did not want her.

Hearts and Crowns is available on Amazon.

Wednesday, 21 August 2013

Virginia Kelly is My Guest

A warm welcome today to Virginia Kelly. Tell us about yourself, Virginia.
Thanks, Anna, for having me here. I live on the northern Florida Gulf Coast. It's a beautiful area with sugar white beaches and a laid back lifestyle. The only drawback is that we have to endure hurricane season. My husband and I have three wonderful children, and have had the opportunity to do a bit of traveling, something we hope to do again.

Sugar white beaches! I love the sound of that. If you could live anywhere in the world where would it be, and why?
My first thought was Peru, where I was born. I'd really like to live there again. I love the food—my mouth is watering for my favorite dishes and the fresh fruits I can't get here. The people are wonderful, I speak Spanish; it's the home of my childhood. While I was born in Lima, which is a huge city, I spent my first five years in the Peruvian jungle, before moving back to the city for school. While Lima is a possibility, I really don't want to live in the jungle again.
Another possibility is a little cabin in the Smoky Mountains, snug and fitted with all the modern conveniences. Lots of trees and peace and quiet. And wildlife. I love to take pictures. I'm not very good at it, but it's fun.
Short term, I'd love to spend a month living and traveling in Italy. Maybe find a place around Florence for a few weeks, then Venice, then... There's just so much to see. But first, I absolutely have to learn the language. Spanish and English get me by, but it's not the same as being able to communicate in Italian.

I loved Florence when I visited years ago. Venice not so much. Are you a full time writer or do you have a “day job”?
I'm an academic librarian by day. I love what I do. And, no, I don't spend all day reading, nor do I wear orthopedic shoes and a bun J. I work the Reference desk helping students find sources for their research projects and teach research courses. I also deal with computer and website issues, I'm very lucky that I stumbled into a career I love and one that's fun, challenging and offers so many opportunities to learn something new every single day. It's also a career that's allowed me to learn a good deal about technology, something I suspect most people don't know librarians handle on a daily basis.

How did you get started writing?
I'd written short stories as early as 7th grade. My first serious attempt at writing as an adult came after I met an academic librarian who wrote romances. I loved romances, saw that someone who had the same job I did could do it, so thought, "why not?" "Why not" proved difficult indeed. I'm a pantser. I've tried and tried to organize myself, to plot out stories, write synopses, outlines and more. When I do that, I feel like I've already told the story, so now I concentrate on getting a first draft down. Then I do a lot of editing.

What genre do you write in and why?
I primarily write romantic suspense and romantic adventure. DANCING IN THE DARK is a contemporary romance novella. The hero and his profession give it the romantic suspense edge I love.


Sounds intriguing! How many books have you written? Do you have a favorite?
I've written seven complete books and have two or three others that I work on at the same time. A couple of my books are better left hidden somewhere, like maybe under the bed. I've published two complete novels (plus a third coming out in October) and one novella.
My favorite book has always been my first sale: TO THE LIMIT, which started its journey to publication as The Temptation of Nicholas Romero. It was an RWA Golden Heart finalist and sold to Harlequin. Just because I said it's my favorite, doesn't mean I don't like the others, because I do. I tend to fall in love with my heroes. Nicholas Romero was my first love, so he'll always come first. My latest published hero love is Matt Kincaid from DANCING IN THE DARK. Matt allowed me to interview him, though he wasn't as open as I'd hoped he'd be. There's a link to the interview on my website.

I have a soft spot for the surname Kincaid. It was my mother-in-law's maiden name. I changed the spelling a bit for the heroine of my novella, Sweet Taste of  Love, to Nolana Kyncade. Sorry, I digress! Tell us about your current WIP.
I need to work on a fabulous ending for the romantic suspense tentatively entitled ANOTHER HERO. I'm working on another novel, no title yet, that's a bit stalker romantic suspense, a bit adventure. I also have a novella sequel to AGAINST THE WIND. It’s still in torturous first draft status. I've fallen in love with the heroes of these WIPs. One is half Peruvian, like me.

Do you prefer to read in the same genres you write in or do you avoid reading that genre? Why?
I love historical romances, vampire romances, and some mysteries. I don't write those, so can easily turn off my internal editor. When I read the same genre I write, I find myself thinking that I would have done things differently, so don't enjoy reading unless the book absolutely blows me away. If the book blows me away, I go back to my own writing with great reluctance. So, historicals, vampires and mysteries are my fun reading. No matter what I read, a happily ever after is an absolute must.

What’s next for you?
My next release is IN THE ARMS OF A STRANGER, from Entangled Publishing's Ignite line. It’s due out in October 2013. I love the hero (call me fickle, I love all my heroes). It's romantic suspense and is the novel-length sequel to DANCING IN THE DARK. Sign up for my news & updates (link below) if you'd like an email reminder when it's available.

Thanks for visiting today. Where can readers find you?
My website is: http://virginiakelly.net
Email: virginia@virginiakelly.net

News & updates (sign up): http://virginiakelly.net/contactabout.html
Facebook: http://facebook.com/virginiakellyauthor
Goodreads: http://www.goodreads.com/author/show/3151712.Virginia_Kelly
Pinterest: http://www.pinterest.com/virginiagkelly

Where can readers find your books? Print/Ebook?
To the Limit can be found in print at used bookstores online. Links below are to ebooks.
To the Limit: Amazon, Barnes & Noble, Kobo, iBookstore
Against the Wind: Amazon
Dancing in the Dark: Amazon, Barnes & Noble, Kobo, iBookstore

Back cover copy from DANCING IN THE DARK:

What if you discovered all you ever wanted were the things you left behind?
Covert CIA agent Matt Kincaid is back in tiny Walton Springs, only to find Janey Blackmon waiting to ask him a favor. Matt's not there to reminisce with the girl he's never forgotten...and he's definitely not there to divulge government secrets about her missing brother.
Ten years...and Janey hasn't forgotten the love of her life...or that he abandoned her on prom night. Bound by duty and honor, he was shipped out to parts unknown by Uncle Sam. But she knew he'd go because adventure is in Matt's blood. Being stuck in a small town with plain Jane the librarian wasn't ever in his plans.
Trapped by a flood, with no phone or power, desire tempts them both. Will passion—and Matt's offer to recreate prom night—lead to a future together? Or are they just dancing in the dark?



Wednesday, 14 August 2013

Cara Marsi is Today's Guest

Welcome Cara!
Share with us how many books have you written. Do you have a favorite?
Thank you for having me today, Anna. I've written nine books, with a tenth ready to publish (seven are published now) and fifteen short stories plus an anthology of six short stories. Like a mother with many kids, I love all my books, but in different ways. A dozen of my short stories were published in national magazines. I’m an eclectic writer. I write contemporary romance, romantic suspense, paranormal romance, erotic romance and short stories.

What is your next project and when will it be released?
I hope to have my Christmas novella, A Groom for Christmas, available in October. I have a short story with paranormal elements, Love Potion, from Boroughs Publishing Group coming out in October. I’ve recently had another short story, The Ring, released from Boroughs, and I’ve written a short erotic romance story, Capri Nights, which I hope to release by the end of the year. Then I’ll start on book three in the Redemption series, Anita’s Temptation.
When I got the rights back to my romantic suspense, Logan’s Redemption, an online friend who is a top-selling indie author urged me to publish Logan myself. I did and I’m so very happy that I did. Logan’s Redemption has been a top seller at Amazon and Apple. It was in print with The Wild Rose Press. Although my new cover is different, the book is mostly the same so I haven’t put the indie version into print. Two of my other books are in print: Loving Or Nothing and Murder, Mi Amore. I enjoy self-publishing because I have more control over the contents, cover, promotion, and I get to keep more of the royalties myself. I also like the idea of keeping all my options open, so I consider myself a hybrid author, a combination of traditionally published and indie published, with more emphasis on the indie.

What went into the process? Writing, editing, cover design, formatting, etc. Share your ups and downs and how you went about it. If you used a service, can you share?
My online friend, Sandra Edwards, who urged me to go indie does all my formatting, and she does a wonderful job. My editor at The Wild Rose Press, Laura Kelly, freelances, and I hire her to edit my indie books. Three of the four books she edited for me have placed in prestigious contests. The fourth book, Franco’s Fortune, is relatively new, and I haven’t yet entered it in any contests. The wonderful cover artist, Harris Channing, does most of my covers.


What did you do to promote your work?
I maintain a constant online presence. I guest blog; I belong to a group blog, Romance Books 4 Us. I take out ads. I try to be careful of what promo money I spend, but I’m rarely sure which ads work. You know what they say about advertising: Only half works but no one knows which half.

All self-pubbed books are rumored to be shoddily edited. What do you say to that?
Some may be, but most of the indie books I've read are very well-written and edited. I always hire an editor for my indie books. I wouldn't put up a book that wasn't edited. I believe most of the indie authors who have also been traditionally published recognize the importance of good editing.

Do you have critique partners? How did your critique group form?
I have a face-to-face critique group that meets weekly. One member has over 20 books with Harlequin; another has 10 books with large publishers. The other two members aren't published yet. I also have an online critique group that reads the finished product after I’ve revised according to feedback from my face-to-face group. I can get a little obsessive about polishing my story.

How likely are people you meet to end up in your next book? The mean girls from high school and ex-boyfriends and my ex-husband end up in my books. They’re always the villains. We writers have ways to exact our revenge.

Was your road to publication difficult or a walk in the park?
Very difficult. It took 10 long, hard years of writing, learning, rejections before I sold my first book, A Catered Affair, to Avalon Books. I have the rights back to that book and digitally published a sensual version under the title A Catered Romance.

Give us an elevator pitch for your book.
Here’s the pitch for my recent release, Franco’s Fortune, (Redemption Book 2), the romantic suspense sequel to Logan’s Redemption:
"When a female bodyguard is hired to protect a rich playboy, she finds saving his life is easier than protecting her heart."

Tell us about your hero. Give us one of his strengths and one of his weaknesses.
My hero Franco Callahan in my latest book release, Franco’s Fortune, is the reformed playboy brother of the heroine Doriana from Logan’s Redemption. In Book 1, Franco is a selfish womanizer. I had to figure out a way to reform him. The Franco you meet in Book 2 is still fabulously wealthy, handsome and sexy. But he’s grown. He’s been forced to take over the family’s multi-national construction business. We learn things about Franco’s past, things he’s hidden from his family, that show he has a kind and caring heart, that he suffered from some of the same self-doubts that plague many of us. He used his playboy persona, not that he didn't enjoy it, to hide his true character. Jo Fortune, his bodyguard, brings out all Franco’s protective instincts, even though she’s the one who’s supposed to protect him. These two help each other heal from deep hurts in their pasts.

Do you write under a pen name? Why or why not? How did you choose it?
My first book, with Avalon Books, was published under my real name, Carolyn Matkowsky. I always wanted to publish under my real name because I worked hard for lots of years and I wanted everyone to know I’d finally made it. However, readers had problems spelling and pronouncing my last name. In 2003 I was nominated as an up and coming author in a romance magazine’s readers’ poll. They fractured my name so badly I felt I couldn't use the honor for promo. I decided then to take an easier name. I chose Cara because it’s a shortened form of Carolyn. I chose Marsi because it’s the name of a tribe from the region of Italy where my grandparents are from. We actually belong to another tribe, but that name is very long and difficult. 
Blurbs, excerpts and buy links for all my books are on my website, www.caramarsi.com
Buy links for Franco's Fortune:
Available on Amazon, BN, Kobo, Smashwords and Apple.
http://www.amazon.com/dp/B00BNA3JQI/
http://www.kobobooks.com/ebook/Francos-Fortune-Redemption-Book-2/book-GZCdUB8ocEGHiMVgsdgyLA/page1.html
http://www.barnesandnoble.com/w/books/1114740547?ean=2940016234403
https://www.smashwords.com/books/view/290943
https://itunes.apple.com/us/book/francos-fortune-redemption/id615111080?mt=11

Thank you very much for sharing the wealth of your experience, Cara.




Wednesday, 7 August 2013

RITA winner Shelley Adina talks about the one-sheet

Shelley Adina is the RITA Award® winning author of 18 traditionally published novels, and an Amazon historical fantasy bestseller for her self published Magnificent Devices steampunk series. She holds an MFA in Writing Popular Fiction from Seton Hill University, where she teaches as adjunct faculty. Shelley is a world traveler who loves to imagine what might have been. Between books, Shelley loves playing the piano and Celtic harp, making period costumes, and spoiling her flock of rescued chickens.

She’s here today to talk with us about one-sheets, a simple bit of marketing collateral you can make should you find yourself in an agent or editor appointment, and I am delighted to welcome a fellow member of my RWA chapter.


So, what’s a one-sheet?
The one-sheet is a snapshot of your book or series, your market research, and your bio, all on—you guessed it—one page. These have been used for years in the Christian market and in the music and videogame industries (just search on “one-sheet” in Google Images to see what I mean). On this one piece of paper, the editor has everything she needs to know to begin a productive conversation about your book. It also gives her some unwritten but clear information about you, the author: that you’re market savvy, have done the legwork to answer her questions in advance, and have thought about marketing yourself as well as your novel—all skills that will serve you well in a writing career.

Not bad for an 8.5 x 11” piece of paper, eh?

So let’s look at the one-sheet, section by section, and see how it not only presents your book in its best light, but how it can organize your thinking as well for the writing process.

Section 1: The Book

The most important section, and the one given visual importance on the page, contains the back-cover copy for your book. Two or three paragraphs tell the reader about your characters, the central conflict, the setting … and end with a story question. Here’s an example from the first book in my steampunk series, Lady of Devices:

London, 1889. Victoria is Queen. Charles Darwin’s son is Prime Minister. And steam is the power that runs the world.

At 17, Claire Trevelyan, daughter of Viscount St. Ives, was expected to do nothing more than pour an elegant cup of tea, sew a fine seam, and catch a rich husband. Unfortunately, Claire’s talents lie not in the ballroom, but in the chemistry lab, where things have a regrettable habit of blowing up. When her father gambles the estate on the combustion engine and loses, Claire finds herself down and out on the mean streets of London. But being a young woman of resources and intellect, she turns fortune on its head. It’s not long before a new leader rises in the underworld, known only as the Lady of Devices . . .

When she meets Andrew Malvern, a member of the Royal Society of Engineers, she realizes her talents may encompass more than the invention of explosive devices. They may help her realize her dreams and his . . . if they can both stay alive long enough to see that sometimes the closest friendships can trigger the greatest betrayals . . .

The back-cover blurb is designed to pique reader interest—and gives the editor a starting point for a productive conversation about your characters and plot development.

If you’re pitching a series rather than a single book, you can lay out the one-sheet in landscape orientation and arrange three back-cover blurbs across the page. Then, in a paragraph that spans all three, you can give a series overview, describing the main plot and themes. This will save space so that you don’t have to repeat it in the book descriptions, allowing you greater detail in the individual blurbs below.

Section 2: Your Bio and Contact Information

This section should be 100-150 words, giving your credentials for writing the book, your experience, contest wins, and education. Use your bio from your website if you have one, so that your “collateral,” or marketing materials, are all consistent. Include your website and email address so that if the editor wishes to contact you for more, she can do so easily.

Section 3: Market Research

If you have room, or you’re using a double-sided sheet, think about including your market research. I once proposed a teen series featuring a group of antagonistic high-school girls, slowly drawn together as they created the dresses of their dreams. My market research included quotes from articles that had recently appeared in Publishers Weekly and Time about teens getting into crafting, and mentioned books by NYT bestsellers set in the knitting and scrapbooking communities. Show the editor that your book has a market, and she will have less work to do when she takes your proposal to the editorial meeting.

Optional: Tag Lines and Quotes
Many authors include tag lines on their websites and signature lines to give readers a quick, witty way to remember them and their books.
· Harlequin American author Lee McKenzie writes “fifty shades of pink.”
· Debbie Macomber promises, “Wherever you are, Debbie takes you home.”
· “Steampunk with spirit” is my tagline for the Magnificent Devices series. It’s both a promise and a description.
· The women’s fiction series I proposed under my Adina Senft pseudonym, about an Amish herbal healer (and which recently sold from a one-sheet), is called Healing Grace, and the tagline is “Healing grace in Amish gardens.”

Another option is to use a particularly telling quote from your manuscript—something that encapsulates the theme of your book. I used “A lady of resources makes her own luck,” one of the heroine’s lines. This line appealed to a reader so much that she created a poster of it along with my book covers, and sent it to me!

Recommended: Use images to create a mood
Editors tend to be visual people—even if they’re not creating cover art and page layouts, they still give professional input in both those areas. So consider including images that convey the style and mood of your book, its setting, maybe even its characters. Use your own photography or buy images from stock photo sites, and make your one-sheet even more memorable.

Does the one-sheet really work?
So far, I've sold two trilogies on a one-sheet alone, so I can vouch for how well they work. Give your inner graphic designer some freedom and see what you can come up with. Then at your next editor appointment, see how well it works. You never know—one sheet of paper might start a chain of events that ends with a book contract!

Learn more about Shelley and her books at http://www.shelleyadina.com or http://www.adinasenft.com. And be sure to check out her summer blog series, Letters from the Lady, in connection with the Magnificent Devices books, at http://magnificentdevices.wordpress.com

Shelley presented a workshop on One-sheets at a chapter meeting. I rushed home and made one for each of my series. Here's the one for The Montbryce Legacy series.
Front and back

Inside
Many thanks for sharing this simple, but effective marketing tool with us, Shelley.